Alban Berg’s Piano Sonata, Op. 1: a Landmark in Early Twentieth‐Century Music
Identifieur interne : 000383 ( Main/Exploration ); précédent : 000382; suivant : 000384Alban Berg’s Piano Sonata, Op. 1: a Landmark in Early Twentieth‐Century Music
Auteurs : Allen ForteSource :
- Music Analysis [ 0262-5245 ] ; 2007-03.
English descriptors
- Teeft :
- Alban, Alban berg, Alban piano sonata, Allen forte, Anton webern, Arnold schoenberg, Berg, Blackwell publishing, Compositional canon, Felix salzer, Formal studies, Harmonielehre, Heinrich schenker, Helene berg, Heut nicht deinen leib, Janet schmalfeldt, Journal compilation, Major thirds, Minor triad, Modern music, Music analysis, Nicht, Opening bars, Opus number, Piano sonata, Schenker, Schoenberg, Sonata, Symphonic epilogue, Triad, Universal edition, Wozzeck.
Abstract
Eventually published in 1926, the Piano Sonata, Op. 1, was completed in 1908, the year after Berg terminated his formal studies with Arnold Schoenberg, and first performed in Vienna in 1911. Berg's decision to assign the first opus number in his compositional canon to this piece was highly significant, since it clearly indicated the status that he accorded to such extraordinary music. The Sonata is one of the most expressive instrumental compositions of the early twentieth century – comparable, for example, to works by Debussy such as L’isle joyeuse (1904) and Bartók's Sonata for piano (1926). The present article situates the work in its contemporary context, illuminating points of theoretical significance as they relate to the composer's ongoing creative development and distinctive musical language.
Url:
DOI: 10.1111/j.1468-2249.2007.00252.x
Affiliations:
Links toward previous steps (curation, corpus...)
- to stream Istex, to step Corpus: 000083
- to stream Istex, to step Curation: 000083
- to stream Istex, to step Checkpoint: 000312
- to stream Main, to step Merge: 000383
- to stream Main, to step Curation: 000383
Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title xml:lang="en">Alban Berg’s Piano Sonata, Op. 1: a Landmark in Early Twentieth‐Century Music</title><author><name sortKey="Forte, Allen" sort="Forte, Allen" uniqKey="Forte A" first="Allen" last="Forte">Allen Forte</name></author></titleStmt><publicationStmt><idno type="wicri:source">ISTEX</idno><idno type="RBID">ISTEX:CCC0CF9D7C948BB1836FE5293C06FE5F5D0C61CD</idno><date when="2007" year="2007">2007</date><idno type="doi">10.1111/j.1468-2249.2007.00252.x</idno><idno type="url">https://api.istex.fr/document/CCC0CF9D7C948BB1836FE5293C06FE5F5D0C61CD/fulltext/pdf</idno><idno type="wicri:Area/Istex/Corpus">000083</idno><idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">000083</idno><idno type="wicri:Area/Istex/Curation">000083</idno><idno type="wicri:Area/Istex/Checkpoint">000312</idno><idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Checkpoint">000312</idno><idno type="wicri:doubleKey">0262-5245:2007:Forte A:alban:berg:s</idno><idno type="wicri:Area/Main/Merge">000383</idno><idno type="wicri:Area/Main/Curation">000383</idno><idno type="wicri:Area/Main/Exploration">000383</idno></publicationStmt><sourceDesc><biblStruct><analytic><title level="a" type="main">A<hi rend="smallCaps">lban</hi> B<hi rend="smallCaps">erg</hi>’<hi rend="smallCaps">s</hi> P<hi rend="smallCaps">iano</hi> S<hi rend="smallCaps">onata</hi>, O<hi rend="smallCaps">p</hi>. 1: <hi rend="smallCaps">a</hi> L<hi rend="smallCaps">andmark in</hi> E<hi rend="smallCaps">arly</hi> T<hi rend="smallCaps">wentieth</hi>‐C<hi rend="smallCaps">entury</hi> M<hi rend="smallCaps">usic</hi></title><author><name sortKey="Forte, Allen" sort="Forte, Allen" uniqKey="Forte A" first="Allen" last="Forte">Allen Forte</name><affiliation><wicri:noCountry code="subField">University</wicri:noCountry></affiliation></author></analytic><monogr></monogr><series><title level="j" type="main">Music Analysis</title><title level="j" type="alt">MUSIC ANALYSIS</title><idno type="ISSN">0262-5245</idno><idno type="eISSN">1468-2249</idno><imprint><biblScope unit="vol">26</biblScope><biblScope unit="issue">1‐2</biblScope><biblScope unit="page" from="15">15</biblScope><biblScope unit="page" to="24">24</biblScope><biblScope unit="page-count">10</biblScope><publisher>Blackwell Publishing Ltd</publisher><pubPlace>Oxford, UK</pubPlace><date type="published" when="2007-03">2007-03</date></imprint><idno type="ISSN">0262-5245</idno></series></biblStruct></sourceDesc><seriesStmt><idno type="ISSN">0262-5245</idno></seriesStmt></fileDesc><profileDesc><textClass><keywords scheme="Teeft" xml:lang="en"><term>Alban</term><term>Alban berg</term><term>Alban piano sonata</term><term>Allen forte</term><term>Anton webern</term><term>Arnold schoenberg</term><term>Berg</term><term>Blackwell publishing</term><term>Compositional canon</term><term>Felix salzer</term><term>Formal studies</term><term>Harmonielehre</term><term>Heinrich schenker</term><term>Helene berg</term><term>Heut nicht deinen leib</term><term>Janet schmalfeldt</term><term>Journal compilation</term><term>Major thirds</term><term>Minor triad</term><term>Modern music</term><term>Music analysis</term><term>Nicht</term><term>Opening bars</term><term>Opus number</term><term>Piano sonata</term><term>Schenker</term><term>Schoenberg</term><term>Sonata</term><term>Symphonic epilogue</term><term>Triad</term><term>Universal edition</term><term>Wozzeck</term></keywords></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">Eventually published in 1926, the Piano Sonata, Op. 1, was completed in 1908, the year after Berg terminated his formal studies with Arnold Schoenberg, and first performed in Vienna in 1911. Berg's decision to assign the first opus number in his compositional canon to this piece was highly significant, since it clearly indicated the status that he accorded to such extraordinary music. The Sonata is one of the most expressive instrumental compositions of the early twentieth century – comparable, for example, to works by Debussy such as L’isle joyeuse (1904) and Bartók's Sonata for piano (1926). The present article situates the work in its contemporary context, illuminating points of theoretical significance as they relate to the composer's ongoing creative development and distinctive musical language.</div></front></TEI><affiliations><list></list><tree><noCountry><name sortKey="Forte, Allen" sort="Forte, Allen" uniqKey="Forte A" first="Allen" last="Forte">Allen Forte</name></noCountry></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/DebussyV1/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000383 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 000383 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Musique
|area= DebussyV1
|flux= Main
|étape= Exploration
|type= RBID
|clé= ISTEX:CCC0CF9D7C948BB1836FE5293C06FE5F5D0C61CD
|texte= Alban Berg’s Piano Sonata, Op. 1: a Landmark in Early Twentieth‐Century Music
}}
| This area was generated with Dilib version V0.6.33. |  |